:a slight return:

Peeking back in here for a brief update, as sometimes I can't resist some sort of year in review, or in this case, the later half of 2017, as I went on a blog hiatus mid-year. Why, if you've forgotten? To try to concentrate on the website redesign. Has it happened? Um, no but I'm closer than I was before. 

Taking stock of what I've done aside from that, it appears to me that I've been not as productive as I'd like to be, but never for longer than a week or two at the most. I still always have some sort of camera with me at all times. Instagram still gets a fair amount of those images, but I plan to return to more "real" cameras in the new year. I am hopeful to get a new smartphone as well, based on the camera that it has, of course.

Speaking of real cameras, I realized that my frustration with Polaroid film had to do with the model camera that I was using. Changing to another one produced somewhat better results. As another photographer pointed out to me, how much can you expect from a plastic lens?

I didn't do any more model shoots, alas. Sad to say I was somewhat affected by the lack of use of my  photos by the models, but I need to get over that. It's just one of the curses of social media when you can see the images that they do use instead, despite them saying that they liked mine. I want to get back to more surreal imagery in the new year. The indoor shoots were good practice and I certainly want to do more of those as well, but I need what I do to stand out more.

I still do more photography than illustration, but I did exercise the drawing muscles a few times. I made this to recognize the 30th(!) anniversary of the movie "The Lost Boys." Also saw it shown again in a movie theater, at the Boston Museum of Fine Arts, of all places. I drew the lines in ink and colored it on the computer. I'm pleased with it but again I don't like how long it takes me to create just one illustration now.

Opposite of that was participating in Inktober, an ink drawing every day in October. Some hits and misses, of course. I chose not to sketch out beforehand, just straight ink, and I think my mistake ratio was quite low. You can see all of them on the sponge Instagram page. It was good practice, and I really should be sketching every day anyway.

Made more attempts to sell this artwork to people...twice I participated in the now-weekly markets at Mill No. 5 in Lowell, MA. I made enough to pay off the table fees, basically, but I still find that most people are more window-shoppers than art buyers. I tend to feel that way about gallery shows now too. I see that more as a way to get it out to more eyeballs at this point.

I also finally added a lot of artwork for sale to my Etsy page, timing it for "Cyber Monday" in November. But aside from a few initial sales, it's gone cold again. Etsy is not what it used to be. It seems to be anything goes, and not necessarily arts or crafts. Glue a gear onto something and it's somehow instantly Steampunk. I've joined an online community to hopefully get better insight into the selling part of this.

I can't promise that this is a return to the weekly blogging, but once that damn website is finished, I intend to!

:interlude:

Just poking my nose back in here to tell you about a few events coming up involving my artwork, and hopefully sales of the same.

Friday, October 13th from 4-7 PM at the Pearl Street Gallery in Chelsea, MA is the opening of the Bridge Show, dedicated to depictions of the Tobin Bridge. All profits from sales will go toward hurricane relief charities. I have two photographs in the show and am donating 100% of my sales. You can also go online to purchase.

And for the next two Saturdays, October 14th and 21st, I'll be participating at the now-weekly "A Little Bazaar" at Mill No. 5 in Lowell, MA from 12-4 PM. I'll have a selection of artwork to choose from in various sizes and media, and even a Homunculus doll or two.

Why did I stop writing this blog, if you don't recall? Well, I told myself I'd stop until I finally revamped my website. That hasn't happened yet. But once I'm done with the above events it will become the priority. Rest assured that I haven't been non-productive these few months.

:inbetween:

On Tuesday of this past week I once again participated in a workplace crafts bazaar. It was less attended than the winter one, possibly because people would "shop" more due to Xmas, but also because the company is really encouraging people to work remotely more. Which is something I actually want no part of, but I'm not going to get into that.

I correctly deduced from the last time that people prefer the smaller framed photos, and also because several had mistakenly thought that they were drink coasters, found that selling actual coasters worked. Not a crowd to buy larger works, alas. But once again I kept the weirder (for them) works at home.

I finally got through all of the shots from the Asha & Hex photoshoot that was in March and sent off copies to them. Hopefully something of their liking amongst them, and maybe they will say so publicly.

 

Out of 185 shots I narrowed it down to 96 for them. There are some less than-perfect shots in there, but I think they may work as part of some editing with them in the future, but for now I'm putting them aside.

I tried to narrow down to my 10 favorites but settled on 12. A good balance I think. Sometimes you're only seeking for that one good shot, so I'm glad that I had a difficult time choosing.

 

:holding pattern:

I continue to try and figure out my creative path from here on in, after weeks of often thinking "why bother," which I'm sure makes for riveting reading on this blog. While I don't think a complete hiatus would help me, I think I may have to work on some "behind the scenes" projects for awhile, after I finish up the first edits from the Asha & Hex photoshoot and send them off to them. Any further work on those will be...further on.

The projects I'm thinking of are the long-overdue redesign of my website, putting more work up on Etsy, and trying for more gallery shows, using artwork that I've already made. I'm also going to be selling artwork at my workplace again this upcoming Tuesday, and so will pay attention to what sells. Again I'll be leaving the "freakier" pieces at home.

I'll still have some sort of camera on me at all times, to catch what moments that I can while out and about. The springtime green is slowly creeping back into our world, which sucks for allergies but good riddance to the grey, miserable winter. Looking forward to finding new places in nature within the coming months.

:dead calm:

Perhaps it's part of the weird mood that I've found myself in the past few weeks, but lately I'm finding that the longer I work on artwork, the less enthused I am with it, and just want to move on to something new. More incentive to learn to work faster. The photoshoot that I did with Asha & Hex is now a month past, and I've finally gone through all the shots and narrowed them down, with well over 175 decent ones. At this point I just want to clean them up a bit and send them off to the models, and hope that they like them. As for any weird Photoshoppery, I'll look at them a bit later on from now and see if I want to do any. No ideas are currently leaping out at me.

A change of media often helps, so I'll return to the new Homunculus doll and see if I can't finish it within the month.

:stranger days:

I didn't write on Wednesday as I normally do, as I didn't feel in the right state of mind and it would've devolved into self-pity. I'm not at 100% tonight, but have a better perspective than yesterday. And honestly? The advent of Spring sticking around might help, because even for a self-described night person like myself, I probably do need the daylight. I was taking vitamin D supplements during the doldrums of Winter, but stopped because I felt I wouldn't need to anymore, but some of the funk I've felt in the past few weeks could possibly be attributed to that, so I may as well go back on it for a bit more.

I finished this drawing the past weekend, and to be frank, I certainly could've done it all in one day, if I were in control of all the hours of my days. It seems to be the case that when I work on a piece for a long time, and am really happy with the end result, the lack of much response to it brings me a bit down. So do I need to work more quickly? Or place less importance on the need for outside acceptance? But I think parts of our current society place a lot more emphasis on this, and on near-instant reactions at that. Click those hearts and thumbs up icons and we're as happy as lab rats pushing the buttons for more food.

Been working continuously on the shots from the Asha & Hex photoshoot, and at least they seem appreciative of what I've shown them so far, more than I can say for a few of my past models. Here's a few more glances. Again at this point I may just leave them as they are, no weird Photoshoppery. Yet.

I'm also glad that I always have some sort of camera on me, to capture moments like these.

:crisis of faith:

Little steps this past week; started really looking at the shots from the photoshoot with Asha & Hex. I'm still pleased that there's very few corrections needed. I'm not sure if I'll be altering them much further, to be honest. I seem to do that more with outdoor shots than studio ones with a plain backdrop. Again, the need to think about actual concepts for shoots. Some came to mind recently. I also noticed that the new lens I used captures a lot of detail, maybe a bit too much if it's a super close shot. No need to see every pore! But again, I'm not a fan of the android-smooth skin that all these retouchers that keep contacting me looking for work seem to be into.

In the home stretch on this drawing, too. I probably could've finished it last night but I really wanted to get some headway on the photos.

I've gone deep into my head lately about the whole art thing and the possible futility of it, as least as a means to an end. It's something I've done for as long as I can remember and I believe that I want to keep on doing it, but sometimes I wonder at the real purpose, beyond some hard to define drive. Which is also a problem for me in writing out artist statements, a requirement for galleries and such, when often all I want to say is I make these, use your eyes and figure out what it means to you.

But beyond pleasing myself, I'm not seeing much return investment from the outside world. Our wired world has increased the amount of visual imagery available many times over, and it's more difficult than ever to catch someone's attention, and even then, getting some sort of acknowledgement beyond a thumbs up or a heart icon. This blog has been set up for comments from the very beginning, by the way.

I think of this as more than a hobby, that was proven to me when my last living situation was so awful that I hardly created anything and that made it feel even worse. But I don't treat it as a business either, and have actually been "warned" about that from some other writers and artists. There has to be some way to be appreciated, even "compensated" for one's actual talents. But I've not been one to follow trends just to make a buck. One hopes to be recognized and maybe rewarded for having their own style.

That was a whole lot of rambling that I'm not sure made my point any clearer, for you or me. All I can say for now is that there was a lot of "why bother?" in my thoughts this past week, but I'm still not ready to quit.

:striving:

Sadly I did not get to work on any photos of Asha & Hex last week. Other things came up, as they do. Thankfully I've been told there's no hurry. From what I've seen they have no shortage of photoshoots. Here at least is one new shot, having fun with skulls. I've forgotten the names that they gave them.

I took a few shots with a Polaroid camera during the shoot, too. Still trying to make that work. It seems you have to be at this perfect distance to make it look decent. No close-ups possible. I think Asha's came out okay.

Otherwise I was working further on my drawing. I'd say it'll be done by next week, but I have two DJing gigs coming up as well, and that's two evenings that won't be used for drawing. This photo doesn't do it justice, the lightbulb on the drawing table lamp is great lighting for making the actual artwork, but lousy for photography. I've been having issues with my scanner as well, so I'll have to take it into another room for a better shot.

Still messing around with "products" to be sold. Some coasters and a print on slate. I figured that the already damaged effects on the photo would look good on the rock surface. Still need to get Etsy up and running and maybe into some festivals, but so far I've signed up for a bazaar at my workplace again, in May. Although to be honest I was hoping to not still be working there by then. Need to up that search, but it's so dull if you have no idea what you really want to do for a job. Or if you don't want a job, period.

I ventured out to another one of the regular open artist studio days, held in various locations throughout the year, this one in the South End of Boston, and I left feeling underwhelmed. Nothing that really inspired me and the usual envy of someone else having an actual studio to work in.

I am feeling a bit disillusioned by the whole art thing in general lately, to be honest. Sure, ultimately I create to satisfy an inner urge that I've had my whole life, and it doesn't have to translate into fame and fortune, but those are nice side benefits. But unless I can really figure it soon, I don't know if it's happening within my own lifetime. Perhaps I should just work on in isolation, and someone can discover my hidden cache of artwork after I'm gone, and they'll profit from it. As the story seems to go most of the time in art history. Yet still I strive on.

:duality:

Last Thursday I did get to do my first photoshoot since last spring, and I'm mostly pleased with the experience and the results. I worked with two models (Asha and Hex), a first for me, so that was one deciding factor towards doing this, even if I didn't feel completely confident leading up to it.

I had a lot of ideas and props in mind, but didn't get to all of them, even after two hours. Better to run out of time than ideas, I'd say. One idea was to change from a white backdrop to a black one and use limited lighting. Next time, then.

These two have been traveling models for quite some time, and so quite experienced and requiring very little direction, although that was welcome as well. It was a fun, laid back and quickly-moving shoot, and I'd love to work with them again, separate or apart.

I shot them that way as well, allowing for a few outfit changes along the way, of which they had plenty. They weren't short on ideas either. Any prop I handed to them led to interesting poses. The skulls and top hat showed up again, along with some new things I've picked up in the past year.

The cat masks were a big hit, so much so that they asked if they could keep them. They weren't vintage or expensive, so why not. I've since then replaced them. But for the latter part of the shoot they pretty much remained in cat mode.

This was also the first shoot done with my new 50mm lens, and I'm astounded by the results. Both in the details and the depth of field. There was no telephoto ring so I would have to move around to compose in the frame. At times I would have to move all the way to the wall of the room.

So, for the negative parts, and of course me being me I have them...I still need to find a way to master exposure settings. Through trial and error I eventually find one that worked but I'd like to be skilled enough to hit the ground running and not waste time and shots just trying to get the lighting right.

I also really should have more conceptual ideas for shoots. This was pretty much my usual improvisational method again, and the models made it easier, but I'd like to have a "story" in mind going forward, as opposed to always creating one from the images later. I think a lot of these stand fine on their own but I'm sure I'll be doing some Photoshoppery again.

Around doing this I've also been working on a new drawing, in color pencils this time. I'm not always one for caricature, so I'm remaining faithful to the original photo. But I'm using a limited palette, just blues and some red, resisting the urge to use black for the darkest parts. Drawing hair really gets me into another zone, I could do it for hours.